The publication The Cone of Concern is a valuable document of Haegue Yang’s exhibition of the same title; it revisits the exhibition’s complex layering of objects—anthropomorphic rattan sculptures, light sculptures, rotating sonic disks with metallic bells, whirlwind-derived wall partitions, elements of textile canopies, fans, and sounds—against a lenticular print backdrop of a digitally constructed space swirling with meteorological measuring devices.
The catalogue documents the exhibition of Adaptation: A Reconnected Earth, curated by Joselina Cruz and James Luigi Tana, that ran from 28 March to 27 August 2023 at MCAD Manila and featured works by Patty Chang (Los Angeles), Agnes Denes (New York), Josh Kline (New York), Lui Medina (Manila), Issay Rodriguez (Manila), Deniz Tortum (Istanbul and New York) & Kathryn Hamilton (New York and Istanbul), Derek Tumala (Manila), and Bartolina Xixa (Argentina).
Accompanying her 2018 exhibition at the Museum of Contemporary Art and Design (MCAD) Manila, Pacita Abad: A Million Things to Say is the first monograph devoted to the artist in over a decade.
Encompassing the full complexity of the artist’s practice across media, The Serenity of Madness compiles a wide range of source materials and texts that have informed his work over the last two decades.
A catalogue for the Phillippine Pavilion at the 57th Venice Biennale in 2017, produced by the National Commission for Culture and the Arts.
The first catalogue done in collaboration with the artist himself, it has four versions of the cover.
The discussion of the works of the twelve artists/filmmakers were done by co-curator Claire Carolin, Cocoy Lumbao (one of the featured artists), and Rob Wilson.
With essays by Mara Coson, Patrick Flores, Marian Pastor Roces, this publication accompanies the exhibition The Vexed Contemporary.
The Jim Thompson Art Center, the James H.W Thompson Art Foundation and MCAD’s exchange produced the exhibition for which this catalogue was made.
The catalogue features works included in the exhibition with essays by Marjorie Evasco and Joselina Cruz.
